The History of Armitage Pottery: People, Products and Place

The history of Armitage Pottery cannot be told through a single story. It has influenced the village, provided employment for generations of families, developed products known throughout the world and shaped the lives of countless individuals. Some of those stories fit naturally into the narrative of the company’s history. Others are smaller episodes, remarkable discoveries… Continue reading The History of Armitage Pottery: People, Products and Place

Ken and Alan Stott – The Brothers Behind Armitage Shanks

For fifty years Ken and Alan Stott worked side by side, guiding the Armitage pottery from a successful family business to Britain’s largest sanitary ware manufacturer. This article explores the brothers’ unique partnership, their service beyond the factory, and the practical common sense that enabled them to recognise opportunities, create new markets and leave a lasting legacy in British industry.

Edmund Corn and the Making of Armitage Ware

Between Edward Johns and the Stott brothers stood Edmund Corn, the driving force behind Armitage Ware. Potter, innovator and businessman, he guided the company through war, depression and industrial unrest while introducing new production methods, developing overseas markets and helping create the world’s first coloured sanitary ware suites. Under his leadership the Armitage name became known around the world, laying the foundations for the later success of Armitage Shanks.

Robert Hedderwick Penman: The Man Who Took Armitage to Glasgow

Builder of the New Pottery, exporter of sanitary ware and founder of Glasgow’s “Armitage Pottery”, Robert Hedderwick Penman was one of the most ambitious figures in Armitage’s industrial history. His factory vanished, but “Penman’s Works” remained in local memory long after the man himself had crossed the Atlantic.

Edward Lewis Williamson Johns

When Edward Lewis Williamson Johns inherited the Armitage pottery in 1893, he chose a different path from his father. Rather than expanding production, he championed fashionable and highly decorative sanitary ware. His brief ownership produced some of the pottery’s most striking designs before the business passed from family ownership in 1900.

A Closer Examination of the South Aisle

Unlike the rest of St. John the Baptist’s medieval church, the south aisle is entirely Victorian. Built during Henry Ward’s rebuilding of the 1840s, it was carefully designed to harmonise with the Romanesque character of the older church. This article explores how Norman-inspired architecture, the remarkable south doorway and later additions combined to create one of the most successful parts of the rebuilding.

A Closer Examination of the North Aisle

The north aisle preserves the strongest impression of St. John the Baptist’s Norman origins. Although rebuilt by Henry Ward in the 1840s, its heavy round arches, massive pillars and Romanesque character echo the medieval church described by Stebbing Shaw. This article explores the aisle’s architectural development and its later transformation into a place of remembrance, where the history of the church and the parish meet.

A closer look at the chancel

The chancel of St. John the Baptist reveals a different chapter in the church’s history. Contrasting with the heavy Romanesque nave, it preserves the character of a later medieval Gothic rebuilding that was carefully reinterpreted during the Victorian restoration. Drawing on architectural evidence, early drawings and contemporary descriptions, this article explores how centuries of rebuilding, patronage and worship shaped the church’s most sacred space.

A Closer Examination of the Nave

The nave forms the architectural heart of St. John the Baptist Church. Although rebuilt in the 1840s, its massive pillars, round arches and chevron carving preserve the powerful impression of the Norman church described by Stebbing Shaw half a century earlier. This article explores how Henry Ward recreated the Romanesque character of the medieval building while producing the unified interior that visitors experience today.

St. John the Baptist Church

As St. John the Baptist church was largely rebuilt in the 1840s, and little documentary evidence survives from before that time, it is necessary to turn to alternative sources to reconstruct the form and chronology of the earlier building. Stebbing Shaw, writing in the 1790s, provides a detailed and informative description of the church, including… Continue reading St. John the Baptist Church